20091027

What the hell is with people thinking that the internet is for actual serious business and not being an ass to each other lately.
Why the hell is everyone online a goddamn hippie all of a sudden.

Cut that shit out.

1256663340

I woke up this morning and THIS was the first thing i thought of. Fuck yeah, nostalgia.
VGG Character names. Fuck yeah, version 1.0 graphics.

I woke up this morning and THIS was the first thing i thought of. Fuck yeah, nostalgia.

VGG Character names. Fuck yeah, version 1.0 graphics.

1256652600

20091026

1256549879

Cthulhu by AlMaNeGrA.

Cthulhu by AlMaNeGrA.

1256548800

20091023

An excellent word that English badly needs. From dailymeh:

The word is avmakt, which is Norwegian for “the opposite of power”. I went through a thesaurus and none of the antonyms of “power” captured the precise meaning of this word. It’s being powerless, but not any old powerlessness. […]

Avmakt is more the peculiar feeling of being part of a system you are powerless to direct or change, and knowing it. It’s not about being on the fringes of society or lacking in basic liberties or facilities, it’s rather about being stuck squarely inside the system, with various symbols and signs of wealth and nominal power, forced to watch how money, position and “democratic rights” still leave you powerless to change or direct the system. The feeling of being a cog in the machinery, of powerlessness in the face of the Man, of being unsure what exactly you want or how to achieve it or even if it can be achieved, but knowing that whatever it is you want it’s not the status quo. The feeling that the system humiliates you: it swallows you whole, it gives you a host of privileges and then forces you to watch as each of them prove to be worthless when it comes to effecting actual change. On top of that, you get to feel guilt ‘cause you’re part of the system after all and so infinitely better off than billions of other people in the world…

via inky.

Spanish could use this word too.

1256264761

How the Aliens’ animatronic mandibles work (1:03)

via zsommand

via aliensandpredators.

Awesome. No inner jaw though?

1256264640

20091019


CARICATURE MAP OF EUROPE 1914
From Leviathan by Scott Westerfeld.
The Clanker Powers:
Germany is a massive military machine with weapons aimed                      outwards to all surrounding countries. It points threateningly                      at Britain, not so much as a sign of direct aggression, but                      more as an indicator that it was now Germany’s turn                      to start a grand global Empire to challenge the world’s                      current one.
Austria Hungary is an aggressive armoured giant, teetering                      on shoddy foundations. It is also the primary aggressor in                      a land grab against Serbia, with two bayonets piercing the                      border.
The Ottoman empire is a teetering automaton, collapsing under                      the weight of a paranoid and ungainly spying network that                      gazes at Europe through many lenses and spy glasses.
The Swiss watch ticks away the time, comfortable to wait                      it all out.
The Darwinist Powers:
Britain is an militaristic lion with a Roman Imperial italic-type                      helmet. It sits upon a mound of riches gathered from its Empire.
France’s elephant beast (wearing the French kepi they                      started the war with before adapting their firefighter helmets)                      is influenced by the Elephantine Collossus built for the Universal                      Exhibition of 1889 in Paris (later it ended up going to the                      Moulin Rouge.)
Russia is a huge imperialist bear, rotting and filled with                      maggots.
Serbia’s imagery is an indicator of the huge amounts                      of civilian deaths and suffering they’ll find themselves                      subject to.
Norway and Sweden are both Scandinavian trolls in the style                      of John Bauer, an inspirational illustrator from the era who                      produced a lot of phenomenal work during the war.
Portugal is a parrot for the Entente trying to goad a slumbering                      Spain into the war.
Ireland looks askance to Britain and brandishes a shillelagh.                      An indicator of their very rough relationship at the time,                      and of their upcoming involvement with the Central powers.
Italy is a clutch of snakes with intents on the Central powers                      despite existing agreements. A foreshadowing of their arrangements                      at the secret 1915 Treaty of London where they were promised                      land in exchange for involvement. It was heavily influenced                      by Italian Prime Minister, Antonio Salandra’s open policy                      of serving Italy’s “divine self-interest.”
Source

via lastchatwithphontaine.

CARICATURE MAP OF EUROPE 1914

From Leviathan by Scott Westerfeld.

The Clanker Powers:

Germany is a massive military machine with weapons aimed outwards to all surrounding countries. It points threateningly at Britain, not so much as a sign of direct aggression, but more as an indicator that it was now Germany’s turn to start a grand global Empire to challenge the world’s current one.

Austria Hungary is an aggressive armoured giant, teetering on shoddy foundations. It is also the primary aggressor in a land grab against Serbia, with two bayonets piercing the border.

The Ottoman empire is a teetering automaton, collapsing under the weight of a paranoid and ungainly spying network that gazes at Europe through many lenses and spy glasses.

The Swiss watch ticks away the time, comfortable to wait it all out.

The Darwinist Powers:

Britain is an militaristic lion with a Roman Imperial italic-type helmet. It sits upon a mound of riches gathered from its Empire.

France’s elephant beast (wearing the French kepi they started the war with before adapting their firefighter helmets) is influenced by the Elephantine Collossus built for the Universal Exhibition of 1889 in Paris (later it ended up going to the Moulin Rouge.)

Russia is a huge imperialist bear, rotting and filled with maggots.

Serbia’s imagery is an indicator of the huge amounts of civilian deaths and suffering they’ll find themselves subject to.

Norway and Sweden are both Scandinavian trolls in the style of John Bauer, an inspirational illustrator from the era who produced a lot of phenomenal work during the war.

Portugal is a parrot for the Entente trying to goad a slumbering Spain into the war.

Ireland looks askance to Britain and brandishes a shillelagh. An indicator of their very rough relationship at the time, and of their upcoming involvement with the Central powers.

Italy is a clutch of snakes with intents on the Central powers despite existing agreements. A foreshadowing of their arrangements at the secret 1915 Treaty of London where they were promised land in exchange for involvement. It was heavily influenced by Italian Prime Minister, Antonio Salandra’s open policy of serving Italy’s “divine self-interest.”

Source

via lastchatwithphontaine.

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20091016

1255730375

20091007

Tattoo art, Regino Gonzales

via arsvitaest.

Tattoo art, Regino Gonzales

via arsvitaest.

1254958654

20091001

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